Aquilina Stefan, ‘Icarus at ActionBase: One Year On’, Margin:The Publication of ActionBase Studio, No. 3 (2002), 3.
Aquilina Stefan, ‘Bridging Landmarks: Towards an Encounter with the Audience’, in ICARUS 4, ed by F. Camilleri et al (Malta: Icarus GHE, 2003), pp 17-19.
Aquilina Stefan, ‘Within the Stanislavskian Tradition: The Work on Intentions’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 20-23.
Aquilina Stefan. 'Acts of Recognition: The Political Dimension of Terminology', Maska Performing Arts Journal, 30:77/78 (2016), 68-85.
Borg Stanley, ‘Confessions to an Audience’ (Interview with Frank Camilleri), Weekender, The Times, 28 December 2002, p 2.
Borg Stanley, ‘Four Flew Over’, 2003, www.icarusproject.info>Performances > ICARUS 4 (2003) > Reviews.
Callus Ivan, and Camilleri Frank, ‘Encountering Gruppi ghall-Inkontri tal-Bniedem: Part I’, in Orbis, No. 1/4 (2002), 14-15.
Callus Ivan, and Camilleri Frank, ‘I Confess: Towards a Language of Performance’, in Orbis, No. 2/1 (2003), 7-10.
Camilleri Frank, Amargo: The Tragedy of the Man Doomed to Die, publication documenting performance (Malta: GHE, 2002).
Camilleri Frank, ‘The Liberation of Abandonment’ in Amargo – The Tragedy of the Man Doomed to Die (Malta: GHE, 2002), pp 6-8.
Camilleri Frank, Aquilina Stefan, Gatt Caroline, Ghirlando Louise, Spina Sandro (eds), ICARUS 4 (Malta: Icarus GHE, 2003).
Camilleri Frank, ‘The Daedalus Experience: Mastery as a Matter of Discovery’, in ICARUS 4, ed by F. Camilleri et al (Malta: Icarus GHE, 2003), pp 20-23.
Camilleri Frank, Aquilina Stefan, Gatt Caroline, Spina Sandro (eds), The Second Phase (Malta: Icarus Performance Project, 2004).
Camilleri Frank, ‘Structure/Improvisation: Investigating the Performative Condition’, in The Changing Body Symposium, DVD-ROM (Exeter Digital Archives: Arts Documentation Unit, University of Exeter, 2006).
Camilleri Frank, ‘Tekhne Sessions 2004’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 4-7.
Camilleri Frank, ‘Tekhne Sessions: Investigating Dynamic Aliveness in the Actor’s Work’, Theatre, Dance and Performance Training, 1:2 (2010), 157–71.
Camilleri Frank, ‘TWO – A Performance Structure’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 12-15.
de Maria Jeremy, ‘Visual Witness’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 28-31.
Fenech Pauline, ‘A Thin Veil between Reality and Illusion’, The Sunday Times, 12 August 2007, p. 42.
Gatt Albert, ‘An Other Humanity’, in Amargo – The Tragedy of the Man Doomed to Die, ed by F. Camilleri (Malta: GHE, 2002), pp 9-11.
Caroline Gatt, ‘Icarus meets Hecate’, in Margin: The Publication of ActionBase Studio, No. 4 (2003), 8.
Caroline Gatt, ‘Openness: The E(ste)tica of Disponibilité', in ICARUS 4, ed by F. Camilleri et al (Malta: Icarus GHE, 2003), pp 9-11.
Caroline Gatt, ‘By Way of Theatre: Design Anthropology and the Exploration of Human Possibilities', in Participatory Innovation Conference 2011 proceedings, ed by J. Buur (Denmark: University of Southern Denmark, 2011), pp 118-123.
Ghirlando Louise, ‘Engaging Wings’, Margin: The Publication of ActionBase Studio, No. 2 (2001), 7.
Ghirlando Louise, ‘Destiny as Destination: Living out our Process’, in ICARUS 4, ed by F. Camilleri et al (Malta: Icarus GHE, 2003), pp 6-8.
Mercieca Caldon, ‘Grounding the Work of Art: The Case of Icarus’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 24-27.
Portanier Helga, ‘Tekhne Sessions: A “Way” Towards Performance’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 8-11.
Spina Sandro, ‘Mastering an Apprenticeship: “The Norbert Task”’, in ICARUS 4, ed by F. Camilleri et al (Malta: Icarus GHE, 2003), pp 14-16.
Spina Sandro, ‘The Descriptive Space of Photography’, in The Second Phase, ed by F. Camilleri et al (Malta: Icarus Performance Project, 2004), pp 16-19.
Stelmaszczyk Elzbieta, ‘I Can Still Feel His Eyes on Me: An Interview with Frank Camilleri’, in Pogranicza (a Polish theatre journal) 1/2003 (42), 29-43. A substantial part of this interview has also been included in a book by Juliusz Tyszka (Szczecin: Studio 69, 2002), pp 80-88.
Xuereb Paul, ‘The Performance that Was Not One’, The Sunday Times, 29 June 2003, p 52.
Zarb Noemi, ‘Baring Himself to Bear Himself’, The Sunday Times, 18 April 2004, p 24.